L'idea del tragico alle origini dell'idealismo tedesco / Giovanni Zuanazzi en Acta Philosophica, v.30, n.1 (2021)

Público ISBD [artículo]  inActa Philosophica > v.30, n.1 (2021) . - p. 75-97 Título : L'idea del tragico alle origini dell'idealismo tedesco : Schelling, Hölderlin, Hegel Tipo de documento: texto impreso Autores: Giovanni Zuanazzi Fecha de publicación: 2021 Artículo en la página: p. 75-97 Idioma : Italiano Temas: FILOSOFIA ALEMANA HEGEL, GEORGE WILHELM FRIEDRICH HÖLDERLIN, JOHANN CHRISTIAN FRIEDRICH IDEALISMO ALEMAN SCHELLING, FRIEDRICH WILHELM JOSEPH TRAGEDIA Resumen: The Idea of the Tragic at the Origins of German Idealism: Schelling, Hölderlin, Hegel - To the ancient Greeks we owe the tragedy as an artistic genre, but they have ignored the tragic as an aesthetic or philosophical category. This concept is rather a modern acquisition, which was imposed at the end of the eighteenth century thanks mainly to Schiller and the philosophers of the first romantic generation. But how and why did the idea of the tragic arise? The hypothesis that the article wants to explore is that it was born in the effort to overcome the dualisms that the critical system of Kant bequeathed to philosophical thought and in particular to Schelling, Hölderlin and Hegel. The origins of the tragic as a philosophical category are therefore intimately connected with those of German idealism. Enlace permanente a este registro: https://opac.um.edu.uy/index.php?lvl=notice_display&id=101175 [artículo] L'idea del tragico alle origini dell'idealismo tedesco : Schelling, Hölderlin, Hegel [texto impreso] / Giovanni Zuanazzi . - 2021 . - p. 75-97. Idioma : Italiano in Acta Philosophica > v.30, n.1 (2021) . - p. 75-97 Temas: FILOSOFIA ALEMANA HEGEL, GEORGE WILHELM FRIEDRICH HÖLDERLIN, JOHANN CHRISTIAN FRIEDRICH IDEALISMO ALEMAN SCHELLING, FRIEDRICH WILHELM JOSEPH TRAGEDIA Resumen: The Idea of the Tragic at the Origins of German Idealism: Schelling, Hölderlin, Hegel - To the ancient Greeks we owe the tragedy as an artistic genre, but they have ignored the tragic as an aesthetic or philosophical category. This concept is rather a modern acquisition, which was imposed at the end of the eighteenth century thanks mainly to Schiller and the philosophers of the first romantic generation. But how and why did the idea of the tragic arise? The hypothesis that the article wants to explore is that it was born in the effort to overcome the dualisms that the critical system of Kant bequeathed to philosophical thought and in particular to Schelling, Hölderlin and Hegel. The origins of the tragic as a philosophical category are therefore intimately connected with those of German idealism. Enlace permanente a este registro: https://opac.um.edu.uy/index.php?lvl=notice_display&id=101175

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